How I approach narrative design in every project

This article explores my philosophy and process behind narrative design—how I use structure, pacing, and storytelling to transform websites from static portfolios into intentional brand experiences that resonate with premium clients.

Written by Mikkel Calmann
Dec 19, 2025

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Why most websites fail to hold attention

Narrative design is the reason some websites feel instantly compelling while others, despite good visuals, fail to hold attention or inspire action.

Most sites are built as collections of sections rather than experiences. They prioritize content blocks over cohesion, features over meaning. As a result, visitors are left to assemble the story themselves. Premium clients rarely do that work. They expect clarity, confidence, and direction.

I approach every project with the understanding that a website is not a container for information. It’s a guided journey. When narrative design is absent, even the most polished aesthetics fall flat. When it’s present, the site feels inevitable—as if it could only exist in that form.

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Narrative design starts before visuals

One of the biggest misconceptions about narrative design is that it’s a visual exercise. In reality, it begins long before typography, layouts, or color palettes are considered.

Narrative design starts with understanding:

  • What the brand believes

  • What the audience already knows

  • What they need to feel before they’re ready to act

Every premium client I work with has a story, but not all of them know how to tell it clearly. My role is not to invent a narrative, but to uncover the one that already exists and give it structure.

Before a single layout is explored, I’m mapping emotional beats: where trust is built, where resistance appears, where confidence should peak. These decisions inform everything that follows.

Designing for sequence not sections

Websites that convert premium clients don’t present information randomly. They unfold it.

Narrative design is fundamentally about sequence. It’s the difference between showing everything at once and revealing the right thing at the right moment.

When I structure a site, I’m asking:

  • What does the visitor need to understand first?

  • What doubts will naturally arise next?

  • Where does authority need to be reinforced?

  • When is the visitor ready to engage?

This sequencing applies at every level—from the homepage down to individual service pages. Each page has its own internal logic, but also contributes to the larger story of the brand.

Premium clients don’t rush. Narrative design respects that.

The homepage as the opening chapter

The homepage is not a summary. It’s the opening chapter.

In my narrative design approach, the homepage sets tone, perspective, and expectations. It doesn’t try to explain everything. It establishes the lens through which everything else should be viewed.

That often means:

  • Leading with a point of view rather than a slogan

  • Prioritizing clarity over cleverness

  • Using restraint to signal confidence

  • Letting space do as much work as content

A strong opening doesn’t shout. It invites the right reader in and quietly signals to everyone else that this may not be for them.

That selectivity is intentional.

Using restraint as a storytelling tool

Narrative design relies heavily on what’s left out.

Premium brands understand that meaning is created as much through absence as presence. Overcrowded websites communicate anxiety. Restrained ones communicate control.

In practice, this means:

  • Fewer sections with more intention

  • Larger margins that allow ideas to breathe

  • Typography that guides rather than decorates

  • Imagery that supports the story instead of competing with it

Restraint slows the experience. It gives visitors space to think, to absorb, to feel. That emotional pacing is critical for high-ticket decisions.

Narrative design and brand authority

Authority is not declared. It’s demonstrated.

Narrative design builds authority by showing how a brand thinks, not just what it offers. The way ideas are ordered, emphasized, and framed communicates maturity far more effectively than bold claims ever could.

When I design narratively, I’m constantly considering:

  • Does this feel considered or reactive?

  • Does this page feel calm or eager?

  • Is the brand leading the conversation or chasing approval?

Premium clients are highly sensitive to these cues. They’re assessing whether you operate from experience or aspiration. Narrative design ensures the answer is clear without being stated.

Reframing services through story

One of the most impactful applications of narrative design is in how services are presented.

Most service pages are transactional. They list what’s included, how it works, and what it costs. That structure attracts comparison shoppers, not premium buyers.

I approach service pages as narratives of transformation. Each one tells a story about where the client is now, what’s not working, and what changes when we work together.

Process still matters, but it’s secondary. It exists to support trust, not define value.

When services are framed narratively, pricing conversations change. The focus shifts from cost to alignment.

Integrating proof without breaking the story

Testimonials and case results are essential—but only when they support the narrative rather than interrupt it.

Narrative design treats proof as reinforcement, not decoration. Instead of isolating testimonials into sliders or grids, I integrate them where they answer a specific question or hesitation.

For example:

  • A client quote may appear immediately after a bold positioning statement

  • A result may follow a description of the challenge it solved

  • Social proof may be embedded within the flow rather than appended at the end

This approach makes proof feel organic. It strengthens belief without feeling performative.

Editorial influence in narrative design

Much of my narrative design philosophy is informed by editorial design.

Editorial spaces—magazines, journals, books—understand pacing deeply. They know when to pause, when to emphasize, and when to let silence speak.

By borrowing from editorial principles, I design websites that feel authored rather than assembled. The experience feels intentional, composed, and confident.

This editorial quality is especially important for premium brands. It signals taste. Taste builds trust.

A client transformation through narrative design

One project that clearly illustrates my approach involved a consultant whose website was visually polished but ineffective.

The content was strong, yet the site felt flat. Everything was technically correct, but nothing lingered. The narrative was missing.

We rebuilt the site around a clear story:

  • Establishing their unique perspective early

  • Reordering content to build authority before offering services

  • Introducing more space and fewer visual distractions

  • Reframing services around outcomes rather than expertise

The result wasn’t louder. It was calmer. Inquiry volume decreased slightly, but the quality of conversations improved dramatically. Clients arrived aligned, informed, and ready to engage.

That’s narrative design at work.

Designing for filtering not persuasion

One of the most important roles of narrative design is filtering.

Premium brands don’t need to persuade everyone. They need to resonate deeply with the right people.

My approach intentionally creates moments of clarity where visitors either see themselves—or don’t. That’s not a flaw. It’s a feature.

When a site tries to appeal to everyone, it rarely converts anyone at a high level. Narrative design introduces selectivity, and selectivity creates value.

Narrative design across the entire experience

Narrative design doesn’t stop at the homepage. It informs:

  • Navigation structure

  • Page transitions

  • Call-to-action placement

  • Even how contact pages are framed

Every interaction should feel consistent with the story being told. If the narrative promises calm authority, the experience must deliver it at every step.

Inconsistency breaks trust. Cohesion builds it.

Why this approach attracts premium clients

Premium clients are not looking for novelty. They’re looking for alignment.

Narrative design attracts them because it:

  • Respects their intelligence

  • Honors their decision-making process

  • Communicates confidence without pressure

  • Reflects the level they operate at

They feel understood before a conversation ever begins.

Narrative design is a strategic choice

This approach is not for every brand. It requires restraint, clarity, and confidence in your positioning.

Brands that benefit most from narrative design are those who:

  • Offer high-value, high-trust services

  • Compete on perspective rather than volume

  • Value long-term positioning over short-term conversions

  • Are ready to be selective

For these brands, narrative design isn’t aesthetic preference. It’s strategic infrastructure.

Conclusion

Narrative design is the lens through which I approach every project because it aligns design with meaning.

It transforms websites from collections of content into cohesive brand experiences. It builds trust quietly. It attracts premium clients without chasing them. And it ensures that a brand’s digital presence reflects the level it truly operates at.

When narrative design is done well, visitors don’t feel sold to. They feel oriented. They understand where they are, who it’s for, and whether it’s right for them.

That clarity is what converts at the highest level—and it’s why narrative design remains at the core of my work.

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Mikkel Calmann

I’m Mikkel Calmann, a certified Squarespace designer and Circle Member. We’ve worked with businesses of all sizes, crafting strategic websites that look great and perform even better. If you’d like to discuss a project, feel free to email us at mikkel@typza.com or reach out to us here. You can also book a free 15-minute consultation here.

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